Wednesday 20 December 2017

ANDREW McBRIDE interviewed by PAUL BISHOP about THE PEACEMAKER etc.

PAUL BISHOP was kind enough to interview me on his blog. Paul is a 35-year veteran of the Los Angeles Police Department, and was twice honoured as LAPD’s detective of the year. He’s published 15 novels and written numerous scripts for episodic television and feature films. On top of that he keeps a great blog, which he describes as an ‘eclectic mix of pulps, film noir, 60s spy shows and other topics – plus the required book news, articles and promotion.’ Find his blog here:
http://www.paulbishopbooks.com/2017/12/britwest-wrangling-words-with-andrew.html


Here’s the text of his interview:

Andrew McBride is another of the stellar writers continuing the tradition of popular western novels written by British authors. Following the trail-blazing efforts of J.T. Edson, Matt Chisolm, the Piccadilly Cowboys and others, Andrew has seen 6 of his westerns published, all featuring Calvin Taylor as the central character. Happily, Andrew has taken the time to step out of the saddle and join us round the campfire for a chat…

If it was tacked up in the Sheriff’s office, what information would be included on a Wild West wanted poster with your picture on it? (a convoluted way of asking for some bio details about you)

Andrew McBride. Aged about 63. Last seen in Brighton, England. Wanted for writing 6 published western novels: CANYON OF THE DEAD, DEATH WEARS A STAR, DEATH SONG, THE ARIZONA KID, SHADOW MAN and THE PEACEMAKER.

What was your introduction to Westerns—movies, TV, or books?

TV. I made a schoolboy friend in 1967 and his family had the new TV channel BBC 2 so I used to go round to his house to watch that. One of its signature shows was the new TV Western series ‘The High Chaparral’ which immediately impressed me with its grittiness, authenticity and location photography – I fell in love with the physical beauty of Southern Arizona. I’ve blogged about my appreciation for the HC. My latest western THE PEACEMAKER is partly based on a HC episode, so it’s sort of my homage to the show, a mere 49 years later. The HC kicked off my love for western movies, particularly those starring John Wayne and/or directed by John Ford.


What was the first Western you read?

I’m probably remembering this too neatly but watching the HC with my schoolboy pal sparked an interest in western history and Native American culture. He got interested in the historical background to the show too and was reading a novel called ‘Broken Arrow’ which was a junior version of Elliot Arnold’s great novel ‘Blood Brother.’ This is all about the great Apache chief Cochise. I read it and nearly half a century finally wrote my own novel with Cochise in it - THE PEACEMAKER. When I was in my early 20s, another pal turned me onto the McAllister westerns by Matt Chisolm and started me off reading westerns regularly – people like Gordon Shirreffs, Will Henry, Fred Grove and Robert MacLeod.   



What was it about the genre you found compelling enough for you to want to write a Western?

I’ve always been drawn to adventure stories set outdoors. I can’t see myself writing an urban novel. I like having my characters tested by the struggle to survive in a wilderness. For me westerns ticked every box – they not only had conflict and action in plenty but also strong dramatic tension because they’re essentially morality plays about the fight between right and wrong.

They deal with a broad range of moral dilemmas that the settlement of the West threw up: How do you tame a wilderness without destroying it? How much violence is necessary (and how much is excessive) in creating a law-abiding society? How can diverse cultures (for example the white man and the Native Americans) co-exist? All painted on a canvas of physical beauty and diversity. And there’s a lot of tragedy in western history – what happened to the Native Americans, for example, and to the basic environment – that’s the stuff of high drama.

There’s also beauty and poetry in the language, not only the laconic speak of everyday westerners but even in real names – when I first read about the Alamo, and people called Travis, Crockett, Bowie, Santa Anna etc. I was hooked!  

Had you written books before, or was your first Western your literary debut?

My western CANYON OF THE DEAD was my literary debut. Before that I’d written a couple of books yet to see the light of day – another western and a novel on the Arthurian legend. I’ve also written some contemporary thrillers since, but oddly enough, it’s the westerns – which I would have thought were the least commercial of my output - that have got published.


How do you see the current state of the Western genre?

I don’t really know. Based in Britain, I’d assumed western publishing was pretty moribund – the only UK publishers I was aware of doing westerns was Robert Hale (since taken over by Crowood Press.) But since starting on Social Media a year ago I’ve become aware that there’s a lot going on – Piccadilly Publishing and a bunch of publishers over in the States. So, it appears a lot healthier than I’d thought.

And despite being written off 40 years ago, western movies and TV shows keep popping up and occasionally succeed. I can’t say I’ve been too impressed by most of the recent re-makes of classic movies. I haven’t gone for some of these hybrids either (‘Cowboys and Aliens’ etc.) I’d like to see an original western film succeed on its merits, as ‘Unforgiven’ did, not just because it’s some kind of whacky novelty. However, whilst I can’t see the western ever coming back to the heights it commanded in the 1950s and ’60s, there seems to be plenty of life left in the old dog yet!  


 'Unforgiven' (1992)

What was your journey to getting your first Western published?

In 1982 I submitted a western called SHADOW MAN to Robert Hale. They rejected it – quite rightly, as it wasn’t good enough. A dozen years later an author friend of mine – Philip Caveney – mentioned Hale were still looking for westerns, so, rather than writing a new one I dug out SHADOW MAN from the bottom of a drawer, dusted off the cobwebs and looked at it again. I re-wrote about half of it, re-submitted it to Hale and they accepted it – only they had another book called SHADOW MAN coming out. So I re-titled mine CANYON OF THE DEAD. It came out in 1996, 14 years late. As a sort of post-script, I later wrote another one for Hale – again called SHADOW MAN – and they published it in 2008. So getting one form of SHADOW MAN out there took 26 years!


Have you been to the West, and if not, how do you do your research?

Yes, I’ve been to the west, although not to some of the areas I write about. I think my first ‘western’ experience was when we were driving southwest from San Antonio, Texas, towards Mexico. San Antonio was great but it seemed more southern and Mexican than western. We stopped at a place called Cotulla, Texas, on the Nueces River and getting out of the car I suddenly felt the wind blowing warm desert heat and a peppering of dust on my skin. That’s when I knew I was ‘west.’

To me the west starts with two things: when it gets empty, and there’s wide open spaces and big skies; and when it gets dry. But I don’t think you need to have been there to write about it. When he started writing westerns Elmore Leonard, who wrote classics like ‘Hombre’, was living in the Midwest and had never been west of the Mississippi.


As I’m interested in the history of the west I’ve accumulated a library of reference books, such as The Old West Time Life series. And the internet is fantastic. If 20 years ago a Brit writing a western wanted to describe say, Apache Mountain Spirit Dancers, he’d have to go to his local library and hope they had a book about them – otherwise he’d have to order one in and wait a month until it arrived. Now, in 5 minutes, you can google Apache Mountain Spirit Dancers, read about them and watch a Youtube video of them.  

Is there any difference between Westerns written by British writer’s and Westerns written by homegrown American writers?

I don’t think so, if they’re skillful enough to hide their ‘Britishness’. I’m a great fan of Elmore Leonard but I noticed, reading some of his westerns, he’d get little facts wrong, names of plants etc. So I wasn’t surprised to discover that when he started writing westerns he was living in the Midwest and had never been west of the Mississippi. On the other hand I read ‘The Buffalo Soldiers’ by John Prebble and the McAllister westerns by Matt Chisolm and thought both authors had totally authentic ‘American’ voices – so I was pretty surprised to discover both were British.



Do you currently read Westerns, and if so, who is/are your favorite Western author(s)?

I’ve always read widely, not just westerns, but I still read them. In the past, alongside the authors I’ve already mentioned, I read Jack Schaefer, Glendon Swarthout, Dorothy M. Johnson, Thomas Berger, Charles Neider, Louis L’Amour, Louis B. Patten, A. B. Guthrie jnr. etc. Since engaging with Facebook I’ve become aware of and FB friends with authors like J.R. Lindermuth, Robert Vaughan and Ralph Cotton, all of whom were kind enough to give good reviews to THE PEACEMAKER. I reviewed Ralph Cotton’s novel WHILE ANGEL’S DANCE, about the James Gang, and gave it 5 stars – which is a very rare thing for me to do.  And there’s lots more I intend to check out. 



Do you have a writing mentor?

I did have. I started reading out my stuff at writing groups in the 1980s. At one of them, a guy called Philip Caveney suggested I seriously consider writing for a living.
That impressed me because he was the first person to take me seriously as a writer, and I valued his opinion because he was also the first published author I’d met – he’s been successful writing thrillers and now children’s fiction – so I reckoned he knew what he was talking about. So it’s all his fault!

I still go to a writing group, a small band who critique each others work. I think getting constructive criticism and positive (but not fawning) feedback is essential to mastering the nuts and bolts of how to write well.


When you start writing a new Western, do you pick a standard Western plot (I think there are about six) and look for a way to turn it on its head, or do you look to history or some other source for inspiration?

You can argue until the cows come home about how many basic plots there are to anything. I do think it’s better to try a ‘new wrinkle’ on things rather than just re-cycling clichés. Plotting’s not my greatest strength, so I often look to history for inspiration. DEATH WEARS A STAR was a fictionalisation of the Earps in Tombstone story, and THE ARIZONA KID fictionalized Billy the Kid’s story. 


There was something of Lt. Howard Cushing – a cavalry officer who fought Apaches – in DEATH SONG.


I also have a friend I nickname ‘Dr. Plot’ who’s good at helping me out when I get stuck about what happens next. Western author Thomas Rizzo, one of my FB friends, keeps a wonderful blog and almost daily posts little vignettes of historical frontier escapades. Anybody stuck for an idea for a novel only needs to visit his blog and they’d find material for 20 westerns!    


Where do you stand of indy versus small press versus traditional publishing?

I haven’t gone into it in depth but, if I had plenty of money and time, I might consider self publishing. It cuts out the middle man but I suspect it requires a huge amount of time and effort on Social Media and self-promotion just trying to attract an audience. For me the best model is still a publisher who pays you a fair advance and does most of what we in Britain call ‘the donkey work’ for you – e.g. promotion, advertising etc. – and leaves the writer to mostly write. It may be an increasingly impossible dream but that’s what I hanker for.  


What is your latest Western and what are you currently writing?

I have two novels with publishers – one about Robin Hood, and another western. I’m finishing up a project that’s so different from what I normally do, I’m keeping very quiet about it. Sorry about the mystery. It wouldn’t fit the Andrew McBride canon so I’d have to publish it under another name. I’ve started another western which I hope to launch into properly by next February. It’s going to have an elegiac, ‘Wild Bunch-y’ end of the west feel. That’s the plan anyway, but you know what Robbie Burns said about plans! (‘The best laid schemes o’ Mice and Men, Gang aft agley, An’ lea’e us nought but grief and pain, For promis’d joy.’)


Robbie Burns 


To buy my novels visit my author page on Amazon.com:
or Amazon.co.uk:

Wednesday 13 December 2017

AUTHOR FAVOURITES: PITCHFORK JUSTICE by CHUCK TYRELL

International prize-winning author Charles T. Whipple writing as CHUCK TYRELL (a Sundown Press author like me) can’t pick a clear favourite of his novels either!
One contender is PITCHFORK JUSTICE.
Here Ness Havelock finds himself at odds with a cattle outfit planning to take over a Utah town. He’s also pursued by a man seeking to avenge his brothers, who died by Havelock’s gun.
This reminded me of elements in the Randolph Scott western ‘Buchanan Rides Alone


or Richard Widmark’s plight in ‘Backlash.


The cattlemen are led by a tyrannical judge, a fictional echo, perhaps, of JUDGE ROY BEAN.
Bean was born PHANTLY ROY BEAN JNR. in Kentucky c. 1825.


Despite his reputation as a ‘hanging judge’, he appears to have hung only one man, but survived being hung himself. In 1854 in San Gabriel, California, he killed a man in a duel. Six of the dead man's friends put Bean on a horse and tied a noose around his neck, then left him to hang. The horse didn't bolt, and after the men left, someone – reputedly a lady friend – set Bean free. Bean was left with a life-long stiff neck and a permanent rope burn from the noose.
He only became a judge in 1882, whilst operating as a saloon keeper in a tent city catering for railroad workers in the Trans-Pecos. Bean named the place Vinegaroon and was appointed justice of the peace for the area, proclaiming himself ‘the law west of the Pecos.’

Later Bean moved to Eagle's Nest, Texas, soon renamed Langtry. Bean named his new saloon The Jersey Lilly in honour of English actress Lillie Langtry but – by a bizarre coincidence - the town was actually named after somebody else!


He served 14 years as a judge and died peacefully in his bed in 1903, after a bout of heavy drinking in San Antonio.
On screen Bean has been portrayed often, including Walter Brennan (a classic Oscar-winning performance) in ‘The Westerner


and Paul Newman in ‘The Life and Times of Judge Roy Bean.


The total authenticity of the world Charles creates in PITCHFORK JUSTICE is emphasised by the early appearance of black outlaw ISOM DART (the famed ‘Black Fox’ and ‘Calico Cowboy.’)


Dart was born NED HUDDLESTON, a slave in Arkansas in 1849. Moving west, he drifted in and out of criminal (mostly rustling) activity before joining the Tip Gault gang of outlaws and rustlers operating in southern Wyoming in the 1870s. Dart later left the criminal life and in the 1890s, under the name Isom Dart, was ostensibly a legitimate rancher in the Browns Hole area on the Colorado/Wyoming border. Some held he was still involved in rustling, however. In 1900 he was shot from ambush, allegedly by notorious ‘range detective’ TOM HORN.


REVIEWS of PITCHFORK JUSTICE:

‘Chuck Tyrell has expertly combined the traditional western shoot-`em-up with an interesting, and different, narrative form.’

‘Tyrell's characters… feel like flesh and blood; there are no cardboard cut-outs here.’

‘Mr. Tyrell’s… paragraphs are "fighting lean.”’

‘This is a fantastic read with dynamic characters.’

‘It's a skilled piece of writing that shows a western specialist at the top of his form.’

https://www.amazon.com/Pitchfork-Justice-Chuck-Tyrell/dp/1535583266/ref=sr_1_2_twi_pap_1?ie=UTF8&qid=1485159527&sr=8-2&keywords=pitchfork+justice+chuck+tyrell

Wednesday 6 December 2017

AUTHOR FAVOURITES: RETURN TO SILVER CREEK by CHUCK TYRELL

International prize-winning author CHARLES T. WHIPPLE, writing as CHUCK TYRELL (a Sundown Press author like me) is another writer who can’t pick a clear favourite of his novels!

One contender is RETURN TO SILVER CREEK about a young married couple pioneering in Arizona. Laura and Garet Havelock are building their dream horse ranch on Silver Creek. But while Garet is away, Laura is raped, abused, and disfigured by a demonic attacker. Garet returns to find her gone. He sets off after her, and her assailant. Along the way the Havelocks’ find themselves involved in the conflict between cattlemen and sheepmen, between old settlers and new, and between those who have water and those who want it.

In the real west, clashes between sheepmen and cattlemen between 1870 and 1909 resulted in approximately 120 engagements, most notably in Texas, Colorado, Wyoming and Arizona. At least 54 men were killed and some 50,000 to over 100,000 sheep slaughtered. The ostensible cause was disputes over grazing rights, but racism also played a part in that many sheep herders were Mexican, Basque or Native American. Amongst the most serious disputes was the Routt County Sheep War in Wyoming in the 1890s.


A Navajo shepherdess c. 1905

In central Arizona sheep herders and cattleman clashed in the Pleasant Valley War, the most costly range war in American history. It was fought between the families of John D. Tewksbury and Tom Graham. Though both families were cattle ranchers, the former supported sheepherders when they began entering Pleasant Valley. Between 1885 and 1892 about twenty-five people were killed, including all of the men in the Graham family and most of the Blevins and the Tewksbury families.



Artists impression of an attack on a sheep camp Colorado 1877
According to Robert Elman, author of ‘Badmen of the West’ the sheep wars ended because of the decline of open rangeland and changes in ranching practices, which removed the causes for hostilities.
 SILVER CREEK is marked by its authenticity (Chuck is an Arizona native) and its prominent women characters (which made me think of ‘HOMBRE’ a classic western movie set in Arizona with a strong female lead, played by Diane Cilento.)


Paul Newman and Diane Cilento in ‘Hombre’

The clash between cattlemen and sheepmen has often been touched upon in westerns, for example in the semi-comic movie THE SHEEPMAN (1958)



Glenn Ford in ‘The Sheepman’

and in THE VIRGINIAN: MEN FROM SHILOH episode ‘Last of the Comancheros.’



Ricardo Montalban in ‘Last of the Comancheros’

Arizona settlers and ranchers clashing over water rights was the subject of ‘THE MARAUDERS’ an unusually dark and (for its time) brutal movie of 1955.  


REVIEWS: ‘Heart stopping read… Tyrell is a master of painting emotions that ring true.’


Gripping western read… plenty of suspense and sweeping visuals of the harsh Arizona landscape.’

‘Chuck Tyrell is a great western writer. He knows the country, and he lets the reader see the vistas, smell the wood smoke, hear the creak of leather, and feel the grit of sand in the beans. … made me homesick for the high desert.’

‘If you like a good adventure. If you like westerns. If you like strong, flawed heroes. If you like writing where the setting is like another character, then you'll like Chuck Tyrell's Return to Silver Creek.’

A fine story-teller doing what he does best… Not just a "good" reading experience, it's a revelation. …Tyrell is particularly good with women in his western tales, and Laura is one of his finest creations.’

‘Picturesque landscape and characters come alive through the adept story telling. A must read for any western literature buff, and a great story for those who think they would like to try a western.’